B—Line is a company specialised in designer furnishings which, ever since its beginnings, has manufactured contemporary products along with evergreen icons from the past, such as Joe Colombo’s famous Boby storage trolley. Solid, transversal and flexible designs, the result of collaborations with international designers and of an exclusively Italian production.
B—Line is a company, brainchild of its founder, Giorgio Bordin, that restores life to several historical icons of design on the Italian scenario. These are works that have disappeared over the years, made obsolete by the unrelenting ferment of a market that is brimming with innovation. Of the products re-edited, some have made history “contaminating” many facets of art and design, such as Joe Colombo’s famous Boby.
From the very beginning, side by side with its re-editions, B—Line places contemporary furnishing accessories, resulting from collaborations with international designers. Tangible, factual and transversal projects that have the responsibility and honour to co-exist with the great cornerstones of design and to encourage, in terms of style and character, a smooth switch from home environments to working spaces and from outdoors to indoors, areas that are increasingly hybrid and mercurial, as demanded by contemporary lifestyles.
Vico Magistretti

Born in Milan in 1920, Vico Magistretti graduated in 1945 from Milan’s Royal Polytechnic Faculty of Architecture, immediately starting his own business in the studio that had been his father’s, Pier Giulio.

During the Reconstruction years, Vico Magistretti distinguished himself both in the field of cultural associationism and in his own professional activity. In 1946, he was among the founders of the Architectural Studies Movement (Movimento Studi di Architettura – MSA) within which he dedicated himself to designing buildings for subsidised housing. From 1949 to 1959, he completed about 14 projects for INA-Casa and, together with Mario Tedeschi, drew up the plan for the Santa Maria Nascente church in Milan’s QT8 district. Furthermore, he took part in Milan’s Triennale editions, where he received awards such as the Gold Medal (9th edition) and the Grand Prize (10th edition), also curating with Ignazio Gardella, exhibitions such as the XII Triennale in 1960.

During the Fifties, Magistretti established his career by designing significant buildings such as the Torre al Parco in Via Revere (1953-56, with Franco Longoni) and the building in Corso Europa (1955-57). His towers in Piazzale Aquileia (1961-64) are other notable works from this period.

In the ensuing years, his work as an architect was combined with that of designer, creating objects and furnishing items that became veritable icons of contemporary design. His award-winning works include the Eclisse lamp (1967), the Atollo lamp (1979) and the Maralunga sofa (1973), all winners of the Compasso d’Oro. He collaborated with companies such as Artemide, Cassina, Kartell and Flou and his designs are exhibited in numerous museums including MoMA in New York. In addition, he became an honorary member and visiting professor at the London Royal College of Art.